Deutschland Öl Gemälde Reproduktion, Kein Minimum!

 
 

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BALEN, Hendrick van

Dutch Baroque Era Painter, ca.1575-1632

Gemälde ID::  4928

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1620s Oil on panel Sint-Jacobskerk, Antwerp
1620er Jahren Ölenauf Unterausschuss Gesündigtem Jacobskerk, Antwerpen
Dutch Baroque Era Painter, ca.1575-1632

   
 

 

 
   
      


Gemälde ID::  30401

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mk68 Tempera on wood 5'x3'9" Tretyakov State Gallery
mk68 Tempera auf Holz 5-x3-9 Tretyakov Staatlicher Galerie

   
 

 

 
   
      

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COECKE VAN AELST, Pieter

Flemish Northern Renaissance Painter, ca.1502-1550

Gemälde ID::  32288

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Oil on panel, 98 x 84 cm
Öl auf Unterausschuss 98 X 84 cm
Flemish Northern Renaissance Painter, ca.1502-1550

   
 

 

 
   
      


Gemälde ID::  38395

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c. 1450 Wood, 64,5 x 54,5 cm Hungarian National Gallery, Budapest
c. das Holz von 1450, 64.5 X54.5 cm Ungarischer Nationaler Galerie, Budapest

   
 

 

 
   
      

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MASACCIO

Italian Early Renaissance Painter, 1401-1428

Gemälde ID::  40173

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mk156 c.1428 667x317cm
der 667x317cm von mk156 C. 1428
Italian Early Renaissance Painter, 1401-1428

   
 

 

 
   
      

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Ilya Repin

Ukrainian-born Russian Realist Painter, 1844-1930

Gemälde ID::  53158
Holy Trinity
mk96 1422
Ukrainian-born Russian Realist Painter, 1844-1930

   
 

 

 
   
      

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MASACCIO

Italian Early Renaissance Painter, 1401-1428

Gemälde ID::  56803
Holy Trinity
mk250 Florence, Italy, and Maria church, about the year 1428. Frescoes, 640.1 x 317.5 cm.
Italian Early Renaissance Painter, 1401-1428

   
 

 

 
   
      

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Sandro Botticelli

Italian Early Renaissance Painter, 1445-1510

Gemälde ID::  62398
Holy Trinity
1491-93 Tempera on panel, 215 x192 cm Courtauld Institute Galleries, London The altarpiece shows the Holy Trinity with Mary Magdalene, St John the Baptist and Tobias and the Angel The Holy Trinity appears as a vision between the penitent saints Magdalene and John in a bleak desert landscape. The Baptist is inviting the observer to worship the Trinity, and Mary Magdalene is turning to face it full of emotion. The exhausted figure of the penitent, a late work of Donatello's, had a decisive influence on Botticelli's Magdalene. The penitent sinner was the patron saint of the nuns' monastery of the Magdalenes, and this pala or altarpiece was ordered for their church. The figures of Tobias and the angel are very small compared to the others. They might be a reference to the donors of the altar, the guild of doctors and apothecaries: archangel Raphael was their patron saint
Italian Early Renaissance Painter, 1445-1510

   
 

 

 
   
      

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BOTTICELLI, Sandro

Italian Early Renaissance Painter, 1445-1510

Gemälde ID::  62942
Holy Trinity
1491-93 Tempera on panel Courtauld Institute Galleries, London The archangel Raphael is leading the young Tobias by the hand. He is holding a small box, and Tobias is carrying a fish in a noose. The fish is Tobias' attribute. He was advised by the angel to use its gallbladder to restore his blind father's sight; the miraculous gallbladder was kept in the box. Artist: BOTTICELLI, Sandro Painting Title: Holy Trinity (detail) , 1451-1500 Painting Style: Italian , , religious
Italian Early Renaissance Painter, 1445-1510

   
 

 

 
   
      

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El Greco

Greek-born Spanish Mannerist Painter, 1541-1614

Gemälde ID::  64043
holy trinity
painted 1577-78 118x70 the prado museum, madrid
Greek-born Spanish Mannerist Painter, 1541-1614

   
 

 

 
   
      

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Sandro Botticelli

Italian Early Renaissance Painter, 1445-1510

Gemälde ID::  85514
Holy Trinity
Date between 1491(1491) and 1493(1493) Medium tempera and Oil on panel Dimensions Height: 215 cm (84.6 in). Width: 192 cm (75.6 in). cjr
Italian Early Renaissance Painter, 1445-1510

   
 

 

 
   
      

Sandro Botticelli
Italian Early Renaissance Painter, 1445-1510
Holy Trinity

        
 
   
 

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